Résumé:
The popular heritage is one of the pillars that constitute the identity and civilization of the people, and without it the nation loses its hobby, as it is the origin of the past and the maker of the present for any nation, and through it the image of its future is formed. It diagnoses the identity that distinguishes a nation from a nation and a society from a society, as it is a warehouse in which nations store their practices and rituals, and all the ingredients of their existence, the secret of its democracy, its renaissance and its civilizational mission in all aspects of human life.
From here it was the urgent intention to draw this heritage, which is filled with - with its various elements - in various branches of humanitarian creativity and theatrical creativity in particular, this inspiration that opened wide horizons for the writers of the book around it, especially the theater writers, in which they found the high end to express issues, concerns and aspirations And the hopes of peoples, on the one hand, and on the other hand, to send their ideas and ideologies against colonialism, or issues that carry sedition and threaten the peace of the country and the nation, and perhaps among these plays we find the play of the priest's well for its writer Mohamed Waddah, which raised many social issues, most notably the barbaric crisis, and showed this seriousness On the one hand, the value and goal of the people's cohesion and their solidarity in achieving the highest goals, such as fighting colonialism in its various forms, have confirmed.
